If you are looking for tone with screamin’ high gain, the “Autodafeh” preset is a good starting point for a more edgy rock sound with a fuzzy vibe. As with Amps, I like the straight-forward design of Stomps, and it’s fun experimenting with different pedal chains. GTR3 Stomps comes with three stomp plugins with a nice selection of effects including modulation, harmonic, time-based, and temporal processors for building your virtual pedalboard. While the tones can hold their own, I would also use GTR3 to add extra layers, or stacks, with other guitar tracks. The default cabinet and microphone settings sound huge, and if you’re like me, you may find yourself playing the classic Tony Iommi riff from “Iron Man” with this one. Being a hard-rocker at heart, I am most drawn to the High Gain amp type with the “Monster” preset. Each type includes a variety of presets with knob controls for drive, bass, mid, treble, and presence. From a new-user standpoint, GTR3 Amps has a straightforward design with five different amp types: Bass, Clean, Drive, High Gain, and NeilCitron. For guitarists, Waves GTR3 comes with a total of four plugins: Amps, Stomps, ToolRack, and Tuner. When it comes to audio plugins, you cannot go wrong with Waves. ToolRack could be your one-stop shop for not just studio work, but live gigs, too. This amp and effects plugin might just be what you need to take your guitar tracks to the next level-or universe! I can’t help but jam out to “Morning Glory” by Oasis with this one. Another top choice is the “Eat It” preset: a fiery rock tone with attitude. If you are into ethereal tones and shimmery reverbs, the “X Ray” preset will launch your sound into the depths of outer space. You can click on any parameter, like the position or heel pitch, and choose “MIDI Learn” for controlling the effect via an expression pedal or other type of MIDI continuous controller. If I want to create whammy sounds inspired by players like Tom Morello or Buckethead, for example, I might use the Pitch Wham (based on the DigiTech Whammy) and utilize the automation/controller assign section. As mentioned, I use an expression pedal for controlling stomp effects via MIDI inside my DAW. Helix Native is an “all-in-one” package with a wide variety of amplifier and effects processors. Pull up a delicious preset and tweak it to your heart’s desire in Helix Native. Z, Jet City, Joe Satriani, Brian May, Dimebag Darrell, Jimi Hendrix, and Slash. The short take: AmpliTube 5 MAX v2 comes with a huge spectrum of amplifiers and artist collections including Carvin, ENGL, THD, Gallien-Krueger, Leslie, Dr. With this, I get a similar tone as heard on the song “Wayward Nile” by the Chantays. Maybe you’re angling for a more vintage, surf-rock feeling? In the Fender collection, the ’65 Deluxe Reverb is my main go-to, with the Opto Tremolo and PRO drive stomp at the beginning of the chain. However, when I need heavier tones to quickly beef up my metal or grunge guitar stacks, the “James N’ Kirk” and “Jerry In Chains” are two of my favorite presets in the AmpliTube 5 MAX dropdown menu. One of my favorite setups for achieving a strong all-around rock tone is using AmpliTube’s Tiny Terror with the in-app Fulltone OCD stomp. The amplifiers I use most frequently that are included in AmpliTube 5 MAX v2 are from the Orange, Mesa/Boogie, and Fender collections. AmpliTube 5 MAX v2 is a highly versatile plugin with a fun, easy-to-use interface that includes an extensive collection of cabinets, microphones, and virtual recording environments. If you know anything about amplifier plugins, chances are high that you have heard of the tone monster that is AmpliTube by IK Multimedia. IK Multimedia - AmpliTube 5 MAX v2 Software SuiteĪmpliTube’s official Fender models give you all the cleans you’ll ever need.
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